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Self-portrait
Acrylic Paint and Silkscreen Ink on Canvas, 274.3×274.3cm, 1986 Courtesy of Fondation Louis Vuitton ⓒ The Andy Warhol Foundation for Visual Arts, Inc.
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Campbellsoup
실크스크린, 101.6×101.6cm, 1962
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마를린 먼로
91x91cm(each), silkscreen, 1967
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Flowers
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Bedroom Painting #51
캔버스에 유채, 101.6×167.6cm, 1983
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에스파스 루이 비통 서울 <앤디 워홀: 앤디를 찾아서>
사진 제공: 에스파스 루이 비통 서울 / Photo credits: ⓒ Kwa Yong Lee, Louis Vuitton / © The Andy Warhol Foundation for Visual Arts, Inc.Licensed by Adagp, Paris 2021.
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마상청앵 馬上聽鶯_unknown
Light colors on paper, 117.2×52.0cm
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백매 (白梅)
18세기, 종이에 엷은 색
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서당書堂,《단원풍속도첩檀園風俗圖帖》
조선 18세기 후반, 종이에 먹과 엷은 색, 본관6504, 보물
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무이귀도 武夷歸棹 _unknown
Light colors on paper, 119.0×52.6cm
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고사인물도
조선 18세기 말~19세기 초, 221.0 × 73.7cm (전체), 종이에 엷은 색, 보물
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씨름相撲,《단원풍속도첩檀園風俗圖帖》
조선 18세기 후반, 종이에 먹과 엷은 색, 본관6504, 보물
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Untitled
chair, paper tape, 240 x 180 x 75 cm
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Untitled - 0151116
2015, ballpoint pen and pencil on newspaper, 47 x 32 cm
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《意味와 無意味 SENS ET NON-SENS》 설치 전경
아라리오갤러리 서울, 2020
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Untitled - 0180301
2018, ballpoint pen and pencil on newspaper, 158.5 x 124 x 1 cm (100)
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Untitled 0170528
2017, ballpoint pen and pencil on newspaper, 108 x 80 x 1 cm
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Untitled - 0180621
2018, ballpoint pen and pencil on paper, 210 x 164 x 1 cm (150)
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Composition_audiences
Oil, Acrylic on canvas, 183x198cm, 2012
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Summer Garage_Kronborg 여름날의 차고_크론보그
2020, Oil on canvas, 229 x 177.7 cm
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Spinola Hours_December: Capricorn 스피놀라 시간_12월: 염소자리
2023-2025 Oil on canvas 213.3 x 152.4 cm
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Structure study_mirror
Oil, Acrylic on canvas, 228.6x213.5cm, 2012
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Red Scene_Glyptotek 레드씬_글립토텍
2020, Oil on canvas, 243.8 x 182.4 cm
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Threshold_Sandy Beach_1 경계_모래사장_1
2011 Oil on canvas 244 x 183 cm
서울에서 활동
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Stabilized Instability-부재와 임재 사이
520X85X85cm, 구명환, LED전구, 2015
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Stabilized Instability-고립주의의 환상 속에서
60X60X135cm, 음향 스피커, 아연도금강, 우레탄&
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Mutated Ornamentation
98.4x98.4x8cm, Hot melt glue, Wood panel, 2007
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Black Gravity
92X76X182cm, 초산비닐수지, 철, 합성섬유, 2009
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Stabilized Instability
240x120x30cmx2조. 아연도금강. 2018
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재구성된 덩어리
2022 초산비닐수지, 발포우레탄, 스티로폼, 구조목 103 × 146 × 176 cm Courtesy of the artist
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Femme au Chapeau Vert (Woman in a Green Hat. Madame Cézanne.)
1894–1895
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Les Grandes Baigneuses
1898–1905: the triumph of Poussinesque stability and geometric balance
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The Artist's Father, Reading "L'Événement"
1866, National Gallery of Art, Washington, D.C.
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Still Life with a Curtain (1895) illustrates Cézanne's increasing trend towards terse compression of forms and dynamic tension between geometric figures.
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Mont Sainte-Victoire, ca.1887, Courtauld Institute of Art
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카드놀이하는 사람들
캔버스에 유채, 47x56.5cm, 1895, 오르세미술관































































