Self-portrait, 1613–14

Genoan hauteur from the Lomellini family

1623

Samson and Delilah, c. 1630

a strenuous history painting in the manner of Rubens; the use of saturated colours reveals van Dyck's study of Titian

Pieter Brueghel the Younger from the Iconography; etching by van Dyck

The Wheel Of The World

Parsifal

Orpheus

북쪽 벽(North Wall)

폴리에스터 천, 금속 틀(Polyester fabric, metal armature), 505x124x827cm, 2005, ⓒ서도호

전시전경

서울 홈,서울 홈,가나자와 홈,베이징 홈

은조사, 스텐봉, 391(h)×717×1,457cm, 2002-2012

전시전경

집 속의 집 속의 집 속의 집 속의 집

폴리에스터 천, 금속 틀, 1,530x1,283x1,297cm, 2013, © 서도호 Do Ho Suh

전시전경

중력의 계단

알루미늄, 황동, 스테인리스 스틸, LED 조명, 미러 포일, 컬러필터 포일, 변압기, 780x333x2,300cm, 2014

뒤로 향하는 듯한 Feeling backward

2022 Watercolour and pencil on paper Image: 61.6 x 50.2 cm l Framed: 65.8 x 54.5 x 6 cm Courtesy of the artist and PKM Gallery. Photo: Jens Ziehe

도마달루의 일광 연작(북쪽)

2006, C-프린트, 35개, 각 25.3 x 37.7 cm

환풍기

1997

제목은 느리게 움직이는 욕망이다 Titles are desires in slow motion

2022 Watercolour and pencil on paper Image: 173.7 x 142 cm l Framed: 180.7 x 149 x 6.8 cm Courtesy of the artist and PKM Gallery. Photo: Jens Ziehe

이끼 벽

1994

The Crucifixion with Sts. Jerome and Christopher

1471, oil on wood, 59 × 40 cm, Galleria Borghese, Rome.

Bernard of Clairvaux between Louis of Toulouse and Anthony of Padua, Bufalini Chapel, Santa Maria in Aracoeli, Rome.

Fresco at Siena Cathedral depicting Pope Pius II.

Depiction of St. Jerome during his isolation in the Syrian desert.[2] The Walters Art Museum.

월인천지

2012, 실, 나무, 모형, 비디오, 304.8 x 609.6 x 457.2cm

Asian Character in the Vertical Line

2000, Acrylic, oil, crayon, rice paper, U.V.L.S. gel on shaped canvas, 264 x 156.5 x 6 cm

손끝 - 발끝

2012, 캔버스에 한지, 아크릴릭, 228.6 x 86.4cm

Untitled

2008, Thread, wood and acrylic, 109 x 75 x 15 cm

Catalyzer - 13

2000, Found object, U.V.L.S gel on shaped canvas, 93 × 73 × 7 cm

Scape – Mountain

2009, Canvas, Acrylic, Rice paper U.V.L.S gel, 76.2 x 152.4 cm

Marie Laurencin, 1909, Réunion à la campagne (Apollinaire et ses amis)

oil on canvas, 130 x 194 cm, Musée Picasso, Paris. Reproduced in The Cubist Painters, Aesthetic Meditations (1913)

1910-11, Les jeunes filles (Jeune Femmes, Young Girls)

oil on canvas, 115 x 146 cm. Exhibited Salon des Indépendants, 1911, Moderna Museet, Stockholm

머리에 리본을 맨 소녀

캔버스에 유채, 46x38cm, 1930, 광주시립미술관

3개의 진주목걸이를 단 여인

리토그라피, 40x30cm, 년도미상, 광주시립미술관 하정웅컬렉션

지붕발끝

철, 바퀴, 205x20x530cm, 2011

새 Bird

2018／2024, Rubber, polystyrene, cable tie, galvanized steel structure, reassembled GIROGI (2018), dimensions variable. 사진 제공： 작가 및 일민미술관. ⓒ 김민애

《거인》 전시 전경, 원앤제이 갤러리

2023. Image courtesy of the artist and ONE AND J. Gallery. 촬영: 아티팩츠

문지기들 Gatekeepers

2024, Ventilator, galvanized steel pipe, electric wire, subsidiary materials, dimensions variable. 사진 제공： 작가 및 일민미술관. ⓒ 김민애

캐나다워터 Canada Water

디지털이미지, 2016 © 김민애작가 제공

《거인》 전시 전경, 원앤제이 갤러리

2023. Image courtesy of the artist and ONE AND J. Gallery. 촬영: 아티팩츠

Moved landscape075

C-print, 63X84cm, 2007, 개인소장

옮겨진산수유람기0712

C-print, 84x52cm, 2007

Moved landscape0712

C-print, 52X84cm, 2007, 개인소장

옮겨진 산수 유람기 0719

2007, c-print, 싸이텍, 160×110cm, 서울시립미술관 소장

환영의 창-1 (window-1 of illusion)

30x30cm, Pencil Acrylic on Canvas, 2017

환영의 창 (window of illusion)

30x30cm, Pencil Acrylic on Canvas, 2017

환영의 창 (window of illusion)

116.5x80cm, Pencil Acrylic on Canvas, 2017

환영의 경계 (boundaries of illusion)

72.5x50cm, Pencil, Acrylic on Canvas, 2017

환영의 경계 (boundaries of illusion)

160x174cm, Pencil, Acrylic on Canvas, 2017

환영의 경계 (boundaries of illusion)

162x336cm, Pencil, Acrylic on Canvas, 2017