Wanderer above the Sea of Fog(안개바다 위의 방랑자)
캔버스에 유채, 94x74.8cm, 1818, 함부르크 시립미술관, 독일
The Cross in the Mountains(산중의 십자가)
캔버스에 유채, 45x37cm, 1812, 현대미술관, 뒤쉘도르프
Oak in the Snow(눈 속의 떡갈나무)
캔버스에 유채, 44x34.5cm, 1820, 발라프 리하르츠 박물관, 퀼른
The Abbey in the Oakwood(떡갈나무 숲 속의 수도원)
캔버스에 유채, 110x171cm, 1809~10, 샤를로텐부르크 궁전, 베를린
The Sea of Ice(빙해)
캔버스에 유채, 96.7x126.9cm, 1824, 함부르크 시립미술관,독일
메이드 인 대만(설탕, 설탕스푼, 설탕그릇)
3채널 영상, 00:13:36 loop, 2013
06kg No.9How to Become Us
mixed media, 2011
Proper Time: Though the Dreams Revolve with the Moon
2017. 668 clocks. Dimensions variable. Installation view with For a Better Tomorrow at the Korean Pavilion, 57th International Art Exhibition, La Biennale di Venezia. Photo by the Artist. Courtesy of the Artist.
Proper Time _ Detail
For a Better Tomorrow (detail frame shot)
2016-17. Plastic. 60x70x70cm. Installation view at the Korean Pavilion, 57th International Art Exhibition, La Biennale di Venezia. Photo by the Artist. Courtesy of the Artist.
Made In (objects installation)
2013-present. 12 documentaries and 12 objects. Made In objects installation view. Photo by the Artist. Courtesy of the Artist.
The Costume of painter - Still life with human image vase 060608 & Still life with flowers
lenticular, 116x80cm, 2013
The Costume of Painter-doodling, window 2
캔버스에 유채, 렌티큘러_162.2×130.3cm_2017
The costume of painter - Still Life with sculpture hn
Lenticular, 84.9x120cm, 2011
The Costume of Painter- 3 women on the balcony
렌티큘러_113.3×80cm_2017
The Costume of Painter
2007, 렌티큘러 83x83cm
The Costume of Painter- self portrait in atelier
렌티큘러_106.6×80cm_2017
Form and Light, Motif in West New Jersey
oil on canvas, 30 x 40 1/8 inches, 1914, Hunter Museum of American Art
Last Evening of the Year
Oil on academy board mounted on wood panel, 34.9x24.8cm, 1929, Whitney Museum of American Art
Old Canal Port
Oil on canvas, 1914, Whitney Museum of American Art
노란 풍경(A Situation in Yellow)
Oil on canvas, 106.7x143.2cm, 1933
누드좌상
45X30cm, pastel on paper, 2004
East Side Story 2006-A2
227.3X181.8cm, Oil on canvas, 2006
East Side -MS051
116.8X91.0cm, Oil on canvas, 2022
Countryside -FE14
72.7x60.6cm, Oil on canvas, 2022, 20F
Countryside-JA03
162.2x130.3cm, Oil on canvas, 2022
East Side-MS04
90.9x72.7cm, Oil on canvas, 2022, 30F
서울에서 활동
Flower ball (3D)
2002. Acrylic on canvas mounted on board, Private collection. Image courtesy of Galerie Emmanuel Perrotin, Paris and Miami. ©2002 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.
그리고 나서… 좋은 일도 나쁜 일도 맑은 날도 궂은 날도 있다 (And Then…All Things Good and Bad, All Days Fine and Rough)
2014, 판자, 캔버스에 아크릴릭 Acrylic on canvas mounted on board, 100x100cm
순백색 복장의 도브 (핑크 & 블루)
Acrylic and gold leaf on canvas mounted on aluminium frame, 300x300cm, 2013, ©2013 Takashi Murakami/Kaikai Kiki Co., Ltd
그리고 나서 × 6 (빨간 점: 슈퍼플랫 방식) (And Then × 6 (Red Dots: The Superflat Method))
2012, 판자, 캔버스에 아크릴릭 Acrylic on canvas mounted on board, 100x100cm
미스 코코, Miss Ko² (Project Ko² )
Oil paint, acrylic, synthetic resin, fiberglass and iron, 187.9x88.9x6.3cm, 1997, ©1997 Takashi Murakami/Kaikai Kiki Co., Ltd
그리고 나서 × 6 (화이트: 슈퍼플랫 방식, 검은색과 빨간색 귀) (And Then × 6 (White: The Superflat Method, Black and Red Ears))
2012, 판자, 캔버스에 아크릴릭 Acrylic on canvas mounted on board, 100x100cm
Wedding Invitation, ca. 1993
Offset lithograph mounted on wood 23 1/2 × 23 1/2 in 59.7 × 59.7 cm
A Pile of Crowns for Jean-Michel Basquiat, 1988
Acrylic on canvas 120 × 120 × 120 in 304.8 × 304.8 × 304.8 cm
Untitled, 13 April 1984, 1984
Acrylic on canvas 59 4/5 × 59 4/5 in 151.8 × 151.8 cm
The wonderful world
Montreux
Sumi ink on handmade linen paper, 1983
무제(팝샵 Ⅲ A) Untitled(Pop shop Ⅲ A)
41.4x33.1cm, Silkscreen, 1989