1885년 프랑스 파리 출생
Portrait de Jean Metzinger
1906, oil on canvas, 55 x 43 cm
Paysage au disque
1906–07, oil on canvas, 55 x 46 cm, Musée national d'art moderne (MNAM), Centre Georges Pompidou, Paris
Champs de Mars
La Tour rouge, 1911, Art Institute of Chicago.
Le Premier Disque
1912-1913, oil on canvas, 134 x 52.7 inches, Private collection
Hommage
chromogenic print, 2009
Glorious Epochs
2019(take)_2020(print), Archival Pigment Print, 120x166cm
Duplication
chromogenic pr, 124x162cm, 2010
Verso
2019(take)_2020(print), Chromogenic Print, 122x170cm
Alps with Infrared View VI
크로모제닉 프린트_80×120cm_2015
Fraternal Twin
2019(take)_2020(print), Archival Pigment Print, 70 x 77cm
Flower ball (3D)
2002. Acrylic on canvas mounted on board, Private collection. Image courtesy of Galerie Emmanuel Perrotin, Paris and Miami. ©2002 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.
그리고 나서… 좋은 일도 나쁜 일도 맑은 날도 궂은 날도 있다 (And Then…All Things Good and Bad, All Days Fine and Rough)
2014, 판자, 캔버스에 아크릴릭 Acrylic on canvas mounted on board, 100x100cm
순백색 복장의 도브 (핑크 & 블루)
Acrylic and gold leaf on canvas mounted on aluminium frame, 300x300cm, 2013, ©2013 Takashi Murakami/Kaikai Kiki Co., Ltd
그리고 나서 × 6 (빨간 점: 슈퍼플랫 방식) (And Then × 6 (Red Dots: The Superflat Method))
2012, 판자, 캔버스에 아크릴릭 Acrylic on canvas mounted on board, 100x100cm
미스 코코, Miss Ko² (Project Ko² )
Oil paint, acrylic, synthetic resin, fiberglass and iron, 187.9x88.9x6.3cm, 1997, ©1997 Takashi Murakami/Kaikai Kiki Co., Ltd
그리고 나서 × 6 (화이트: 슈퍼플랫 방식, 검은색과 빨간색 귀) (And Then × 6 (White: The Superflat Method, Black and Red Ears))
2012, 판자, 캔버스에 아크릴릭 Acrylic on canvas mounted on board, 100x100cm
그날 어디에 계셨나요
2017, 캔버스에 아크릴릭 과슈, 젯소, 31.5x41cm
해질녘 노을빛과 친구들 The Sunset and Friends
2023, 자투리로 만든 천에 아크릴릭 과슈 Acrylic gouache on a quilted cloth, 260x600cm @제공 학고재
On the Way Home
2025, Acrylic gouache on canvas, 91 × 91 cm
기다리고 있습니다
2017, 캔버스에 아크릴릭 과슈, 40.9x31.8cm
과거에도, 지금도, 앞으로도 변하지 않을, Eternal Story
2023, 천에 아크릴릭 과슈 Acrylic gouache on fabric, 210x210cm @제공 학고재
네 머리 위의 숯불
2017, 캔버스에 아크릴릭 과슈, 젯소, 31.5x41cm
1820년 프랑스 라로셸 출생
1977년 Ulsan 출생
New York에서 활동
• 2020, Invited Panelist for New York Foundation for the Arts (NYFA/NYSCA) 2020, New York, NY
In between Presence and Absence
Cast paper using fibers from discarded paper, size varies, ongoing
neither here nor there
Strathmore Bristol heavy weigh paper, fishing lines, motion-sensitive lights, 2017
The Endless Line
Cotton thread, sugar powder, mirror sheet, boards, size varies, 2017
In-Btween
Strathmore Bristol heavy weigh paper, fishing lines, motion-sensitive lights, 2014 ~ 2017