Caravaggio's influence is manifest in this canvas Christ and the Woman of Samaria

The Persian Sibyl

Flagellation of Christ

The Woman taken in Adultery, Dulwich Picture Gallery

청년도

한지에 수묵담채, 213.3x160.3cm, 1956

용문龍門

1980, 74.5×96cm, 종이에 수묵담채, 이천시립월전미술관

귀목(歸牧)

1935, 비단에 먹, 색, 145×178, 국립현대미술관 소장

오염지대

1979, 68×60.5cm, 종이에 수묵채색

도원桃源

연도미상, 종이에 수묵채색, 90×147cm, 월전미술문화재단

수석壽石

1984, 종이에 수묵채색, 44×66.5cm, (사)일중선생기념사업회

The Thankful Poor

1894, Oil on canvas, 90 cm × 112.4 cm

Gateway, Tangier

oil on canvas, 46.8x38.9cm, 1912, St. Louis Art Museum

The Arch

oil on canvas, 99.7x97cm, 1914, Brooklyn Museum

The Banjo Lesson

oil on canvas, 124.5x90.2cm, 1893, Hampton University Museum

The Annunciation

1898, Philadelphia Museum of Art

A reconstruction of the dance hall/cinema designed

연도미상, “Cinébal” at the Aubette in Strasbourg.

Neo-Plasticism: Composition VII (the three graces)

1917

Colour design for university hall, in perspective, towards the staircase

Pencil, gouache and collage on paper, 62x144cm, 1923, 런던 테이트갤러리

Self-portrait with hat

1906

To Breathe: Invisible Mirror/Invisible Needle

Single Channel Video Installation, voice performance piece by the artist from A Weaving Factory, 2004

Thread Routes – Chapter 1

16mm film transferred to HD format, Duration 24:52 minutes, sound 5.1, 2010, Kimsooja 2010

실의 궤적 - 제 1장

16mm film transferred to HD format, 29:31, sound, 2010, Courtesy of Kukje Gallery and Kimsooja Studio

보따리

2022_헌옷, 수건, 이불보, 가변설치_Courtesy of Kimsooja Studio

지-수-화-풍

2009-2010 4개 싱글 채널 비디오 中 <물의 대지>, 2009, 6분 57초 반복재생, 무음

To Breathe: Invisible Mirror/Invisible Needle

Single Channel Video Installation, voice performance piece by the artist from A Weaving Factory, 2004

Molesey Weir – Morning, one of the paintings executed by Sisley on his visit to Britain in 1874

Rest along the Stream. Edge of the Wood

1878, Musée d'Orsay

Avenue of Chestnut Trees near La Celle-Saint-Cloud

1865

The Terrace at Saint-Germain, Spring

1875. The Walters Art Museum

Flood at Port-Marly

1876. Musée d'Orsay

1906, Fécamp (The Beach at Sainte-Adresse)

oil on canvas, 64.5 x 80 cm

1916, Port of Marseilles

oil on canvas, 65 x 81 cm, Ohara Museum of Art

1919, La femme blonde

oil on canvas, 98.5 x 98.5 cm, Musée National d'Art Moderne, Centre Georges Pompidou, Paris

The Pont-Neuf

1906, oil on canvas 50.2 cm x 61.3 cm. National Gallery of Art, Washington Chester Dale Collection

여기...새가 있느냐?라고 묻는다면...나는 난감하다

Object, 2005

전시전경

앞) 김을, KIM's studio, 2015, mixed media, 39.7x45.5x31cm

뒤) 김학량, 한국현대서예 스테인드글라스체 연습: “존경, 사랑” 등 4점 연작(현직 대통령 취임사, 취임 100일 기자회견, 광복절·3·1절 기념사, 신년사 등에서 뽑은 문구)

트와이라잇존 스튜디오 Twiligtzone Studio 18-03

310x240x366cm, Mixed media, 2018

Studio

2024, mixed media, 17x18.5x12cm

Installation View

¿Después...Que?

캔버스에 혼합재료, 116.7x91cm, 2010

¿Después...Que?

캔버스에 혼합재료, 97x130.3cm, 2010

¿Después...Que?

캔버스에 혼합재료, 80.3x100cm, 2010

¿Después...Que?

캔버스에 혼합재료, 72.7x91cm, 2010

해골-군상들

Acrylic on canvas, 91x116.8cm, 2010

기동대

acrylic+mixed media on canvas, 130x 90.7, 2006

어느날 밤

1985, 국립현대미술관 소장

Accident

석판화_78x65cm_1984

인간은 잘못을 남의 탓으로 전가하고 싶다.

acrylic on canvas, 162x260, 2009, 대구미술관 소장

해골 87-1(skeleton 87-1)

133.5x179.3cm, acrylic on canvas, 1987