Femme au Chapeau Vert (Woman in a Green Hat. Madame Cézanne.)
1894–1895
Les Grandes Baigneuses
1898–1905: the triumph of Poussinesque stability and geometric balance
The Artist's Father, Reading "L'Événement"
1866, National Gallery of Art, Washington, D.C.
Still Life with a Curtain (1895) illustrates Cézanne's increasing trend towards terse compression of forms and dynamic tension between geometric figures.
Mont Sainte-Victoire, ca.1887, Courtauld Institute of Art
카드놀이하는 사람들
캔버스에 유채, 47x56.5cm, 1895, 오르세미술관
물놀이 3
2012, Oil on Pastel on Chalkboard, 80 x 50 cm
Waterplay 2025
2025, oil pastel on chalkboard
비원
2011, Oil Pastel on Chalkboard, 114 x 160 cm
Borrowed Landscape, Winter
2014, oil pastel on chalkboard, 201 × 111.5 cm
결석한 수학여행
2011, Oil Pastel on chalkboard, 120 x 420 cm
Borrowed Landscape, Summer
2015, oil pastel on chalkboard, 201 × 111.5 cm
Entrée du village de Voisins
oil on canvas, 46x55cm, 1872, 오르세미술관(프랑스)
Road to Versailles at Louveciennes (The Snow Effect)
oil on canvas, 38.4x46.3cm, 1869, Walters Art Museum
퐁투아즈 곡물 시장
1893, 캔버스에 유채, 46.5×39cm, 국립현대미술관 이건희컬렉션
Boulevard Montmartre, Spring
Painting, 650x810mm , 1897, Israel Museum
Boulevard Montmartre at night
1897
Heterogeneous Walking
Embroidery and acrylic on scenic cotton fabric, 250 x 200cm, 2012, Courtesy of the Artist
One Gate between Two World
2021, Dyed cotton, leather, viscose rayon threads, and rug canvas, 322 x 297 cm. Courtesy of Young In Hong and PKM Gallery.
Ishmael: Even the Gorilla Needs a Flower
2021, Cotton, viscose rayon threads, wood, steel, and various fabrics. Approx. 100 x 100 x 200 cm. Courtesy of Young In Hong and PKM Gallery.
MMCA 올해의 작가상 2019
우본 라쟈타니에서 만난 한 여성 2006년 여름
2008, 무대배경천, 아크릴 채색, 스프레이, 자수, 150×112cm
We Where at PKM. Courtesy of PKM Gallery.
1877년 독일 베를린 출생