Femme au Chapeau Vert (Woman in a Green Hat. Madame Cézanne.)

1894–1895

Les Grandes Baigneuses

1898–1905: the triumph of Poussinesque stability and geometric balance

The Artist's Father, Reading "L'Événement"

1866, National Gallery of Art, Washington, D.C.

Still Life with a Curtain (1895) illustrates Cézanne's increasing trend towards terse compression of forms and dynamic tension between geometric figures.

Mont Sainte-Victoire, ca.1887, Courtauld Institute of Art